This post was one that was originally posted here, but kind of got lost in the mix, and I wanted to repost it for two reasons. First, this is a great example of using the Web to create and be creative. I was surfing Flickr, a free picture sharing site, and I found this great series by Indy Kethdy, he had them marked with a Creative Commons license, so I downloaded them, created a video, and then composed a soundtrack to the photostream. Then I posted the video on YouTube to share. This sort of the full-circle of open sharing, social media and creativity on the Web. My second reason is less profound, I know the site has some new readers, and I thought that they might enjoy checking out this video montage. Enjoy.

Indy Kethdy Video Montage with Matt Borghi Soundtrack

Surfing Flickr, as I so often do, I find images that inspire me. Last Friday night, though, I found the fantastic work of Indy Kethdy. I spent hours, and hours pouring over his pictures of Lake Michigan from around Wisconsin. I started to hear music in my ears, and imagined putting these images to sound. I was in luck, because Indy had set his pictures with a Creative Commons license that allowed me to make a video of his photos, put them to music, and then post it here for you to view. I highly recommend visiting Indy’s Flickr page – http://www.flickr.com/people/indykethdy/ and getting a taste of his excellent artistry first-hand. First, though, check out the video homage and the music that I created from the inspiration of his gorgeous still images:

Came across an interesting article here about a local Michigan company, Oneupweb from Traverse City, traveling around the state in a motor home offering up free advice on digital strategy, SEO and online marketing in general.

My initial reaction to this article was two-fold: First, what a great idea and second, this such an excellent example of a socially responsible Michigan firm doing their part to try and help those struggling in the Michigan economy.

However, what Oneupweb teaches here isn’t just about helping Michigan, but really it’s about outreach and social responsibility. As I said in my post here, the Web has always been social and it’s always been about sharing with others. It’s one thing to to do this only in the digital domain of the Web, from the comfort of one’s office or living room, such as I’m doing now, but it’s something else entirely to take this sharing and exchange on the road to meet the man on the street where he lives. Very inspiring.

A lot is being said about “free” these days, especially with the release of Chris Anderson’s book on the subject, but ever since I came online I’ve been interested in the economics of free, whether it was freeware, free music, or free information.

Story: I ran a series of free Mp3 downloads back in 2003 at mattborghi.com, and those downloads brought in more hits to my Web site than being featured on the nationally-syndicated space music program, Hearts of Space. To be fair, the program didn’t feature my music, exclusively, and no link was included to my site, but I thought that it would at least have generated some inquiries, and it did. However, I didn’t see nearly the response that I thought I would from that exposure compared to the interest generated by the free monthly download series.

It’s with that experience in mind that I released a variety of my long-form ambient music tracks to be freely available (some of which are from that monthly download series). Here’s the official announcement from my homepage at mattborghi.com:

Freely available Mp3s of long-form ambient works

I have freely released several hours worth of my long form works in mp3 form here, approximately a dozen tracks. Most of these tracks haven’t been available in quite a long time. Some go back as far as ten years and my early Mp3.com page, some were out-takes from records, and the 2003 series was a monthly download series that I did throughout 2003 during a particularly prolific period. I hope to add other long form works over started adding these tracks.

My reasons for doing this are two-fold. First, these tracks haven’t been available in a long time, and to me it makes more sense to put them out into the universe, where people can enjoy them, than let them take up space on my hard drive .

The second reason has to do with my how I measure the success of social media. Social media metrics and measurements are something that many folks talk about, and ponder but I think that good social media metrics aren’t in hit rankings or page views, but rather in how many people you are getting your ideas out to. The more people that download you free ambient music tracks, watch your videos, read your blog, etc… and comment on, think about, bring up in discussion, include in status updates or generally take an interest in your ideas is the best way to measure the success of social media.

There’s a lot of talk about social media and the role that companies can and/or should play in social media; but the one thing that I’ve learned is that there’s almost no place for social media in the closed organization. Companies that aren’t transparent and are secretive don’t have much of a chance with social media because social media really requires you to put it all out there, and open yourself to public scrutiny. With that said, it’s important to note that if you’re a closed company then your employees and customers are probably already out there in the social media sphere talking about you.

This is where I qualify the first sentence where I talk about there being “almost no place for social media in the closed organization”‘; there’s always plenty of room for “reputation management” or as it was called in the bygone days of yesteryear damage control. However, this part is also likely lost on the closed organization, because they believe that keeping their head down and going with the flow is the best approach, and sometimes it is, a little passive for my taste, but I could see how some might view it as effective, at least from the perspective of ‘if you ignore something it will go away’.

However, I would submit that in the age of social media, or the Web, in general, an organization that tries to live under those old rules is really just signing their own death certificate. It may not happen right away, but like so many great companies that have crumbled, it will happen slowly, until all falls apart, and everyone stands around in the aftermath scratching their heads and asking how this could happen. Yes, it’s a leap from not using social media to an organization’s foundation crumbling, but it becomes less of a leap when the organization has closed up so tightly that they’ve turned their back on their customers.

Social media is a new term for a concept as old as the Web itself. As long as the Web, as a network of connected users has existed, it’s been a social medium. So when you have folks sharing things in a variety of formats (i.e. still images, audio, video, etc.) somehow it becomes social media. That’s it. It’s really that simple. There’s no mystery or secret to what marketers and communicators are calling social media; it’s what the Web has always been from YouTube and Facebook, today, to pimply-faced teens swigging soda on Dungeons and Dragons BBS’ (Bulletin Board Systems) all through the late 70′s, 80′s and early 90′s.

Social media has evolved, the technologies have changed, and the user-interfaces have gotten better, but the core of what the Web is, has changed very little. In recent years, particularly since the Web 2.0 hype began, marketers have tried to frame social media as something else, some kind of communications or awareness panacea whereby you herd your fans/customers into some kind of digital stable, and get a direct, captive audience. This has worked to a very limited extent because as soon as there’s somebody building a fence or stable, there are ten other people building wide open pastures where users can roam free. I’m not sure a model that promotes captivity over freedom will ever exist, online or elsewhere.