Posts tagged: Music Promotion

May 18 2009

What it means to be open…

I’m actually writing this post out of sequence. I just composed a post based on an article I read at Seth Godin’s blog, here, but I intend to publish this one first, and then follow up with the initital post that I wrote. I’m doing this because writing the initial post, Open, et al… actually got me thinking about what it means to be open. I’ve referred to open source, or the open, egalitarian nature of the Web here, and elsewhere many times over the last decade (yikes, time flies!) and it’s always been a bit of an abstract concept. Tech and Web folks could get the gist of what it mean to use open source software, like Linux, Apache, MySQL, PHP (LAMP) and others, but when referring to the philosophical nature of open on the Web, as a communications platform, many folks just kind of gave me a funny look. So I started to do some research on the philosophical foundation of open source, with the hope that I find some information that pointed to the open nature of the Web.

Most of the information that I found pointed to open source software, doing a search of open source philosophy on the Web via Google, this wasn’t surprising. However, after some digging, I found this page, Philosophical Tenets of Open Source, and close to the bottom of the page I found what I was looking for, I’ve taken this bit of text from the page:

Open Source Is a Gift Economy

To understand open source, it helps to make a distinction between a commodity economy, to which we are accustomed in a capitalist society, and a gift economy. In a gift economy, gifts are exchanged, forming a bond based on mutual obligation: In the simplest form of gift exchange, when one person gives a gift to another, the receiver becomes obligated to the giver, but not in a purely mercenary way–rather, the recipient becomes very much like a member of the giver’s family where mutual obligations are many, varied, and long lasting. A person may give a gift with the realistic expectation that someday a gift of equal or greater use value will be received or that the recipient will pass on a further gift. In an open-source project, the gift of source code is reciprocated by suggestions, bug reports, debugging, hard work, praise, and more source code.

The commodity economy depends on scarcity. Its most famous law is that
of “diminishing returns,” whose working requires a fixed supply. Scarcity of
material or scarcity of competitors creates high profit margins. It works through
competition.

The gift economy is an economy of abundance–the gifts exchanged are inexhaustible. Gift economies are embedded within noneconomic institutions such as kinship, marriage, hospitality, artistic patronage, and ritual friendship. A healthy Western family operates on a gift economy. In an open-source project, the status and reputation of individuals depend on the quality of the gifts they contribute.

The distinction really is that of the gift vs. commodity economy. It’s funny because as I write this I remember what it was that attracted me to the Web. I was a musician/composer, and I was working on a recording. After having played guitar for years, being in bands, playing shows, and trying to sell music at venues, I saw that the Web had the power to change everything for me as a working artist — the playing field had been leveled. On the Web, in 1999, Mp3.com had just launched, and it was skies the limit for artists to get out their, hang a virtual shingle, and let the world know about their work. However, it wasn’t about huckstering your product and bombarding folks with spam to inform them about your work (though there was some of that); rather there was an openness that permeated throughout this new platform. There were new channels for sharing what you were doing, as well as for folks, from all the over the world, to share with you. I’m sure at some point I’ll go into this story in greater detail, but for now, suffice it to say that the openness of the Web brought me in, and it was the openness and the economy of abundance on the Web that made me want to stick around, even forgoing my musical ambitions to see what a Web-centric world could look like. More to come, on what it mens to be open…

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