Songs, soundscapes, and improvisations for deep listening.

Tag: Improvisation

New Longform Soundscape – Close of Day – Longform Rework

New longform – Close of Day – Longform Rework
New releases are always $0/name your price on Bandcamp until the next one comes out.

This was originally released in 2022 as a shorter track on Valley View Record’s Sleep Cycle II compilation, but was removed when our contract ended.

Recently, the unavailability of this track was brought to my attention and I thought that I would re-release it and rework it as a longform.

I haven’t listened to it in a while and I am finding it to be a very enjoyable track; I hope you enjoy it, too.

matt

 

 

Book Review – Dave Liebman’s The Art of Skill

 

I love Dave Liebman, his work, his philosophy, his artistry and his dedication to craft. As a devoted musical improviser, when I learned of his book, The Art of Skill – Establishing the Mindset For Unleashing the Music Inside You, I was super eager to get into Lieb’s brain and see what insights this master could offer. Instead, after thousands of purchases across more than two decades of using Amazon, I was moved to write my first product review.  Here tis:

I don’t think that I’ve ever written a review for anything in thousands of Amazon purchases, but I definitely feel obliged to issue a ‘buyer beware’ warning for this unfortunate collection of pages attributed to Dave Liebman, as author. I say attributed because there are references in the text stating that this was a project of a Michael Lake, who I can’t seem to find anything biographics or CV on – He is credited thusly, on the cover: “Edited and Designed by Michael Lake”. No other credentials are included. 

When I first heard about this book from Lieb, I went to Amazon and reluctantly swallowed the thirty bucks thinking that this might be a real chance to get an insight in Lieb’s perspectives; that was partially true. However, when I first received this in the mail I was taken aback by the paltry, print-on-demand collection of perfect bound pages that arrived. To call it a book, m’mmm… not quite, only if, say a pharmaceutical insert stuffed in The Times is considered a book or more aptly, a Scholastic Reader, which is what this 50ish pages of wide margins, poorly written and even more poorly proofread text alongside a mish-mash of motivational stock imagery with a few pics of Lieb and friends through the years thrown in for good measure seems to be. A book? That’s a tough proposition by any measure. 

I didn’t pick this up for about six months, but when I finally picked up this collection of pages, it was, well, not great. A series of shoddily edited interviews (maybe?). I know now that LIeb almost became an orthopedic surgeon and a lawyer, but that didn’t bear repeating four times in, sort of, tangential asides to other things Lieb was talking about. And that’s the thing here, there’s no editorial throughline and no narrative to speak of. I surely didn’t get any insight into ‘the art of skill’ or really an insight into anything except Lieb’s other potential career directions! Without a doubt, you’d get more, better articulated (and edited) insight if you were to just read the first ten articles in a Google search for “Dave Liebman”. Certainly, this collection was not, is not, worth thirty bucks. And that’s the thing that’s outrageous here: Dave Liebman is known for quality and lifelong dedication to craft; this poorly written, poorly edited, poorly assembled, poorly laid out, cheaply printed and extremely overpriced collection is far beneath Dave Liebman. If anybody ever reads this, I’d say a fair price point for this is about $10 and with the printing costs you should still be making $9.

If it were some rando jazz guy, I’d give ’em a pass, but with lieb, man, I just can’t do that. He’s a teacher, master, musician and founder of the International Association of Schools of Jazz. Was there really nobody in his orbit that he could have shared this with to get an opinion on the writing, the editing, the layout, the presentation, etc. As someone who worked in publishing, I’d wager that a second set of eyes were never laid on this collection. Perhaps, the price tag can be attributed to the astronomical price of college textbooks and somebody was hoping to get this on some syllabi? I really don’t know, but this is an unfortunate and overpriced collection of pages that’s not worthy of having Dave Liebman’s name on it or associated with his amazing legacy of excellence. 

As disappointed as I am with this work, I’m being generous with the three star rating. I think there are some, just Ok, insights within these pages, but it never scratches the surface of the promise of the title:  The Art of Skill – Establishing the Mindset for Unleashing the Music Inside You, this collection of pages and random images, definitely ain’t that! 

Anyway, my work is done. I’m disappointed, but hopefully, other folks can avoid the same disappointment and maybe even the editors/authors will take another look at things in the second printing. Lieb’s an amazing and awe-inspiring artist, a true craftsman, don’t let this dissuade you from his work.

 

Songs… An Invitation to Deep Listening

I’ve been quite inspired with the songwriting aspect of my work for the last couple weeks. Towards a Western Sky, while a bit of a sleeper amongst my soundscape work, was a pivotal release for me in many ways, something that I’ve been reflecting on recently. 

When I started making ambient and soundscapes 30 years ago I came at things as a singer/songwriter/guitar player. As I explored soundscapes and moved to computers, synthesizers and sound processing I would often wonder: What if I could bring about these sound worlds, these portals to deep listening with a basic augmentation to my singer/songwriter guitar set up. I explored this in parallel to my soundscape work for years and pursued many experiments to try and make it work.

I got close a few times.

Mostly it never worked until one day when I realized that it wasn’t about songs and songwriting as much as it was about textures of the guitar, voice, words, rhythm, nuance, timbre and color. The sonic palette is much more rudimentary, guitar, voice, words vs. the wide stereo of synthesized soundscapes, kind of like comparing a black and white photo to a high resolution color photo; different perhaps, but the essence is the same.

As I work on the new songs, I encourage my listeners to forget about “songs”, as the pervasive ear worms that invade our thoughts or become sonic bookmarks of our lives and rather think of them as sonic vignettes on the other side of the spectrum from the longform soundscape. Each of them is an invitation to deep listening. Start here: https://mattborghi.bandcamp.com/album/toward-the-western-sky

Matt Borghi Toward the Western Sky

Reveries from the Cosmic Horizon Playlist

Reveries from the Cosmic Horizon  –  An ongoing and largely solemn practice whereby I record an unpolished, never practiced or even heard before and quickly forgotten improvised acoustic solo to a particularly moving piece of drone ambient music that’s playing in the background while I practice.

 

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Matt Borghi: A Journey Through Song and Sound

Matt Borghi: A Journey Through Song and Sound

Singer/Songwriter Shaped by Americana, Meditation and the Spirit of the Grateful Dead

Matt Borghi is Michigan-based singer/songwriter whose evocative music resonates deeply with fans of the Grateful Dead and Brian Eno-alike. Growing up immersed in the rhythms Detroit and steeped in Canadian radio that drifted across the border, Matt found his inspiration early in the storytelling tradition of classic folk and the improvisational spirit of the Grateful Dead. These influences became the cornerstone of his songwriting style, blending poetic lyrics with captivating melodies that transport listeners to a place where tradition and innovation harmoniously coexist.

Matt’s journey as an artist began with a guitar in hand and a love for communal music-making but took an unconventional detour when he was struck with a rare heart condition at the age of 19. While he was on a course towards fulfilling his goals as a working singer/songwriter, his musical goals and focus changed as he was pulled towards contemplative and meditative music that aided in his recovery.

As the years passed, Matt became known for his meditative ‘ambient guitar’ music with features on NPR, BBC, CBC, Music from the Hearts of Space and Echoes with John Diliberto, as well as numerous licensing placements and dozens of record deals; his singer/songwriter work continued quietly in the shadows.

While Matt spent more than two decades working within the high-resolution production world of ambient guitar and drone-based music, he never moved away from his love of folk and Americana, specifically the Appalachian music traditions – His first guitar lesson took place on a porch during a cool fall evening, overlooking the foggy hills of his ancestral home in Van Lear, Kentucky—the hometown of Loretta Lynn—while he was visiting from Detroit.

Through it all, Matt has remained committed to his singer/songwriter work and in recent years has elevated its prominence and focus in his creative output.

Inspired by the acoustic richness of bluegrass, the heartfelt richness of Americana and the improvisational spirit of the Grateful Dead, Matt’s songs and live performances reflect both personal introspection and collective experience. His work often explores themes of wandering, belonging, and the search for meaning—echoes of the Grateful Dead’s own musical explorations.

Over the years, Matt has released dozens of albums that showcase his mastery of blending genres. Whether performing solo or collaborating with other musicians, his live shows are celebrated for their warm intimacy and improvisational flair, inviting audiences to become part of the musical journey. Matt’s dedication to authenticity and connection shines through in every performance, earning him a loyal following across folk and Americana communities.

Today, Matt Borghi continues to write, record, and perform with the same passion that first drew him to music. His work pays homage to the roots of American music while carving out a distinct voice that honors tradition and celebrates the spirit of artistic exploration.

 

 

New Ambient Guitar Improvisation Longform – Remember a time

Message originally posted to friends on Bandcamp in ‘Remember a time’ release announcement – Join us there, if you haven’t already.

Hello Friends,

I don’t get into talking about my creative process as much as I once did, but with this recording I want to say a few things. First off, this recording was completely improvised and recorded live yesterday, April 3rd 2026. I lost myself in it. My best ambient work, and much of the work that I share with you, is improvised. Sometimes, often actually, it’s not good and gets put in the trash, but other times, the best times, a sublime state of flow is achieved, sounds flood my brain and the world falls away – ‘Remember a time’, or as I call it on my hard drive: ‘04032026 – Guitar Improvisation’, was one such occurrence and now I’m sharing it with you.

I hope you enjoy it.

matt

 

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